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info@gallery101.org
301 1/2 Bank Street
Ottawa K2P 1X7
613.230.2799
Tuesday to Saturday:
10am - 5pm
Current
Archive
Rehab Nazzal
Osvaldo Ramirez Castillo
Roger Crait
Yam Lau
Thomas Grondin, Hélène Lefebrve, Cara Tierney, Theo Pelmus
Raymond Boisjoly, Steven Hubert, Sara Mameni, Isabelle Pauwels and Ron Tran (BC)
- Karina Bergmans, Jennifer Cook, Roy Lu, Minh Nguyen and Stefan Thompson (ON)
Afshin Matlabi
Robyn Cumming
Kinga Araya
Duane Linklater, Jason Lujan & Tania Willard
ENRICHED BREAD ARTISTS
Kristin Bjornerud & Tamara Bond
Christopher Flower
Fred Laforge
Maria Hupfield & Stephen Foster
Antonia Hirsch
Wyatt
Will Aitken & Pao Quang Yeh
Althea Thauberger
Artists and musicians brought together through graphic scores.
Lynda Gammon
David Hannan
Marianne Nicolson
Howie Tsui
Karina Kalvaitis
Jingyuan Huang
Ross Birdwise
Heather Passmore (Vancouver)
Yvonne Venegas (Mexico)
Tony Fouhse & James Erdeg
David Yonge
Sébastien Cliche
Jo Cook
Michèle Provost
Michael Belmore (Anishnabe) and David Ruben Piqtoukun (Inuit)
Mercury Vapour Collective: Aaron Mckenzie Fraser, Darcy Lyndon Fraser, Rolf Klausener, Ben Welland
Linda Carreiro
David Diviney
Farouk Kaspaules
Josée Pellerin
Gabriele Di Matteo
In-Between
Mary Anne Barkhouse
Don Gill
María Lezón
Dawit Petros
James Prior
Pat Durr
Heather Nicol
Jayce Salloum
Tomorrow's News
Greg Staats
Mass Appeal
Fluid Artists
Garry Neill Kennedy
Hannah Claus
Kevin Ei-Ichi deForest
Corine Lemieux
Penny McCann
Frank Shebageget
Karen Henderson
Cheryl Pagurek
Yuichi Higashionna
Rhonda Weppler
Trevor Gould
Cathy Busby
Renate Buser
James Carl, Claudie Gagnon & Massimo Guerrera
Nikki Middlemiss
Maria Thereza Alves
Minerva Cuevas
Eduardo Aquino
Mark Maestro Janet Werner Priscilla Yeung
Andrew Wright
Ed Pien and Alexander Irving
Laiwan
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Neighborhood
January 18 - February 24, 2001
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In contemporary urban culture, where privacy is actively defended by a public that aspires to anonymity, the overwhelming majority of multi-household residential structures are built to imply discretion and conformity. Bland and unassuming exteriors assimilate easily into the urban landscape, ensuring the security of residents. Expressions of personal taste and individuality are generally confined to the homes' interiors. The only external indications of the intimate lives contained within these buildings are visible in the decorative accents displayed on their balconies and in their windows.
I use photography to subdue the predictable dreariness of most rental architecture, preferring to accentuate the varied patterns and cosmetic abnormalities of individual façades. These subtly distorted images (taken with a plastic camera) mimic the sight pattern of the human eye when it casually observes an unremarkable spectacle: focus appears arbitrary and perspective is warped. With the sky and occasional power lines serving as a backdrop, the structures I photograph appear to have been uprooted from their surrounding environments, corresponding to the psychological experience of the contemporary urbanite. Relocated to the gallery, these buildings create an artificial neighbourhood whose architectural prototypes modestly defy urban trends toward anonymity. We are reminded that a structure's façade is shared between community and tenants, and that Ottawa's cityscape is constructed out of buildings that differ in age, upkeep, and other fundamental attributes. Yet, these façades remain superficial, in the gallery as on the street. Distinct barriers between public and private are part of every urban community. The windowpanes of these buildings appear opaque rather than translucent, reflecting the city's face back to the viewer.
Nikki Middlemiss
Originally from Regina, Saskatchewan, Nikki Middlemiss completed her BFA at the University of Ottawa in 1999. Since then, she has been working in drawing and photography, and has exhibited in Regina and Ottawa. She is now pursuing her MFA at Concordia University in Montreal.
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